In my life I have been around some amazing people and heard their stories. This man, Olivier Messiaen and a personal friend of his, Jean Langlais befriended me on a performance trip to Europe in the eighties I made. The “Quartet for the End of Time” was a piece I had heard and thought it to be way outside my boundaries both on technical and artistic aspects. However, when I heard his and Jean’s story, they inspired me to move beyond my self-imposed boxes and explore different realities in interpretation and performance.
I was not aware of the life history of Olivier but I found out as he shared with me about the conditions around the composing of the Quartet and that sharing was so powerful to me that I made a decision to tackle that work. At the same time, there was another influence in my life, a young artist named Marshall Fine, who saw the potential in me and pushed me to look outside my personal boundaries and become the artist that was trapped inside me.
There is another work that is performed a lot by Charles-Marie Widor, one of the mentors of Olivier, the Widor Toccatta. It’s a powerful, fantastic work and every time I hear it here in Houston, I go to a different place mentally and remember.
Another composer I work with is John Rutter and I just played the clarinet for this work in Houston.
While I am in the kitchen cooking ,it’s on auto play through the house sound system!