In my life I have been around some amazing people and heard their stories. This man, Olivier Messiaen and a personal friend of his, Jean Langlais befriended me on a performance trip to Europe in the eighties I made. The “Quartet for the End of Time” was a piece I had heard and thought it to be way outside my boundaries both on technical and artistic aspects. However, when I heard his and Jean’s story, they inspired me to move beyond my self-imposed boxes and explore different realities in interpretation and performance.
I was not aware of the life history of Olivier but I found out as he shared with me about the conditions around the composing of the Quartet and that sharing was so powerful to me that I made a decision to tackle that work. At the same time, there was another influence in my life, a young artist named Marshall Fine, who saw the potential in me and pushed me to look outside my personal boundaries and become the artist that was trapped inside me.
There is another work that is performed a lot by Charles-Marie Widor, one of the mentors of Olivier, the Widor Toccatta. It’s a powerful, fantastic work and every time I hear it here in Houston, I go to a different place mentally and remember.
Another composer I work with is John Rutter and I just played the clarinet for this work in Houston.
While I am in the kitchen cooking ,it’s on auto play through the house sound system!
Why hourly rates don’t pay…at least not what you’re worth anyway! Reply to each point based on your experiences. I’ll post each new point in its own post. #1 Because you’re chronic overachievers and over-deliverers, you’re almost guaranteeing you’ll be underpaid for your work because you’ll work well beyond the agreed upon time to get it right. Am I right or am I right?!
#1 is spot on with me! I am a dyed in the wool perfectionist and the hours I put in preparing for that twenty minutes of fame on the stage amount to about 4 to 6 months of my valuable time. There is also the communication with the Maestro, first chairs in the orchestras and such where I put out my interpretation of the piece I am performing. All that for 175 dollars became a drudge to me and led to economic and personal frustrations. I began to feel that what I do was not valued.
To make a difference, I did a time management study based on my professional rate elsewhere and came up with this conclusion. To charge less than 50 thousand for that single performance was cash raping me and keeping my mind on other things such as where my next meal was coming from. .
I could not fathom this price structure as a young artist. It seemed outlandish to me at the time. Is what I do really worth that? Why am I always struggling with putting food on my table and in my belly? I really like good food and great wine pairings and yet I am existing on beer and pork skins.
I had to change my way of thinking about myself and the value I bring to the negotiating table. What I found out about myself amazed me to no end! I was worth something and the highly developed skills meant I no longer had to do the name dropping game, I could talk about myself and how I developed my skills by stepping outside the box and going for broke.
There is nothing wrong with challenging traditions and set ways of doing things and that is exactly how I have been living my life! I just had to see it to believe it.
When I took the lead and put out a set price, the inquiries and bookings started to happen again. I learned to be upfront and honest with myself and market what is special in my life. I changed some approaches also in that I was handpicked to study and work with some of the who’s who of American and International music. What a powerful attribute to bring to the table! That makes me a rare commodity in today’s world and I am marketing myself with that attitude and yet remaining humble is no longer a challenge. Being humble does not amount to humiliation and now I feel better about myself and the products I produce.
There is a man that sits at the bar,
Most look at him and see old fat and ugly
Within that man, is wisdom and great knowledge
He’s stood on the lines
He’s fought the battles
And within him resides
A heart of Gold!
He’s asked for something special
A pan of cornbread
And a few homemade muffins
From a very special kitchen
I hear that request
From a friendly bartender
It’s a special request of me.
A bright ray of light
Has just filled my life.
I’ll make the cornbread and muffins
And a little something extra special
I’ll make it very special, from my special kitchen
God put this special moment, in my life
Just when I need it also,
Cameron Carpenter has become the most discussed organist of our time. As of two years ago, the Juilliard graduate is no longer limited to venues where organs already reside.
Source: Organist Cameron Carpenter rocks perceptions
Alan Balter, Musician, Mathematician, Conductor, Maestro, a Wonderful Human Being! Working with Alan was never dull or boring, always a new adventure each and every day.
Beginning with a couple of lessons when he was at the San Francisco Conservatory and I was still in the First Marine Division Band and carrying forward to Memphis, Tennessee, it was a decade of improvement and exploration without parallel.
Continue reading Maestro Alan Balter
Me through the ages! Jere!
Having fun in Dallas with Joseph!
American Fuzion! What a concept with the US of A being the Melting Pot of the world and a dynamic diversity of food, art and music combine into one. ROQ hopes to develop this concept in a multi-tiered approach to the inspiration of all these cultures combing into one people. Continue reading JKROQ COMES OF AGE!